BLACK BROOK TIDES (DARREN, MARK, SELF) |
Git slung
over my shoulder and a double-cream Americano in my hand, each day I stroll
down city sidewalks searching for adventure, searching for the perfect buskspot. Usually by ten o’clock a.m. I am strumming my
twelve-string, catching that first wave of morning consumers.
Before the
noon hour I'm usually packed up and looking for another buskspot, to catch the second
wave of consumers as they crash the market grabbing snack or a sale.
And after the
third wave, the cat’s paw one o’clock aftershock, I’ll grab
another Americano and strum until three or four, depending on the
number of coins clinking into my git case.
Ah … the
romance of the busker!
Cap-a-pie I
get to wear whatever I want. And this is
what I always wear, simply because I want to.
In summer I’m hatless. I tousle my hair to give that windblown look of a free spirit. I’ve got this notion that the quintessential
busker has to have a Kennedy shock of messy hair.
Sunny or
not, I wear the shades, and usually they are black-framed, though I do
have white and red frames in my stockpile.
On hot days I wear a white t-shirt. And
this white t-shirt is likely the reason I lift weights every day. Hmmm … readers of this blog are certainly
aware of my narcissistic nature.
For leggings
I’m a worn-out faded blue jeans kind of guy.
For my feet
I’m in boots, mostly steel-toed
black or brown, very necessary for my trekking miles of concrete.
Ah … the
romance of the busker!
Busking, I
can strum and thrum whatever songs I want.
And I always choose original tunes, ones that I’ve written because that is
what I want. Whenever someone makes a request,
on existential principle, I always graciously decline.
Ah … the
romance of the busker!
My git quits
any time after four o’clock. I grab a
bite from a local vendor (one who has treated me kindly that day), get seated on a sidewalk bench or a sward in a park, and enjoy my supper. Sometimes, only sometimes, will I busk until
dusk.
Ah ... the
romance of the busker!
If I’m not
pounding empty sidewalks by nine o’clock in the morning, I’ll not get my
perfect buskspot. I need to rise with
the sun, go for my workout, have breakfast, and hit the street by nine. And I do need the sun! Grey cloud-filled skies are adumbrate for a
busker, for consumers are especially munificent only on windless and sunny days.
Ah ... the
romance of the busker!
If I do not
vacate my perfect morning buskspot by noon, other buskers will be annoyed, and decidedly vexed, too, will be the vendors with whom I’ve strummed in close proximity. After a couple hours they need a listening
break, a new sidewalk artist to entertain them.
During the
noon hour, I need to be set up in a good location. It is during the noon hour that my second
wave of consumers, actually the biggest wave, walks by. I need to be at my very best both physically
and mentally to cope with the rush.
Just past
the noon hour, the cat’s paw crowd makes for an easy strum. The crowd has reduced and my passing-by
consumers are but a trickle. This seems
relaxing but really is just another endurance test to get me to my four o’clock
stop time. I usually pick four o’clock
because that’s when I’ve met my imaginary dollar target for the day. In the heat of the summer I pick seventy-five
dollars as suffice to shut down. Late spring
and early autumn I pick fifty dollars to be sufficed. My busking acme is any day that I meet my
quota before four o’clock!
Ah ... the
romance of the busker!
I need to be
the constant martinet, continually work on my guitar strumming and my singing,
to show respect for myself and those of the merchants whose permission I seek
to solicit on their storefronts. Bad
strumming and bad singing makes for bad, rather than best, practice.
Ah ... the
romance of the busker!
I need to
keep in mind that my busking presence is fifty percent talent and fifty percent
expression. If people like the way I
look, if they like the way I present, they become consumers. To keep my day-to-day duende, I need to
always play my best and look my best. If
the people passing by do not like my talent or looks, they become my
critics. And becoming a critic is as
simple as not tossing a coin into my open guitar case.
Ah ... the
romance of the busker!
If you’ve
ever experienced stage fright with a band at a gig, this fright pales in
emotion when compared to solitary street busking. Street busking is a singular adventure. I am on my own, totally. Compliments I receive as an individual are
highly rewarding, as much so as the catcalls are highly demeaning. It takes more than talent to be a guitar
busker, it also takes grit.
Ah ... the
romance of the busker!
Though the
art of busking does add value to most everyone’s downtown shopping experience,
there are exceptions. And those
exceptions will mention that you are out of tune, they will challenge as to why
they should be giving you money for nothing, they will sing alongside you, they
will want to strum your guitar; and some even, will attempt to steal the coins
from your guitar case.
(Fact: The social benefits of busking are rare and rich. For example, supposed friends I know in my own locality will nary evoke a simple thank-you in kind for gifts, and yet I've a bond with people from Russia, Slovakia, and Ireland, just because I'm a busker.)
(Fact: The social benefits of busking are rare and rich. For example, supposed friends I know in my own locality will nary evoke a simple thank-you in kind for gifts, and yet I've a bond with people from Russia, Slovakia, and Ireland, just because I'm a busker.)
Ah ... the
romance of the busker!
If I take a
sick day I don’t get paid. This does not
mean that I strum and sing even when I’m sick, but it does mean that I am
always conscience of my mental and physical health. Privately, I need to lead a healthy
lifestyle. Buskers who are constantly
sick will eventually starve (metaphorically). From the consumer perspective on the dreg continuum, unhealthy buskers eventually
decline to be dudgeons of panner or a picker.
Ah ... the
romance of the busker!
BUSKING IS
PLEASURE ONLY FOR A SEASON.
[This picture
atop this blog entry consists of Darren, Mark, and me in my alterity, BLACK BROOK
TIDES, performing in winter at the BUSHWAKKER BREW PUB in Regina, Canada, on the eve of BLACKBERRY
MEADE, the coldest night of the year.]
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