Thursday, September 29, 2016

AUTUMN LEAVES MUST FALL: DOOIN' WINTER



DIDGE DUO
Indeed, I am still a neophyte when it comes to didgeridooin’.  I know where to busk and I know how to busk; I just don’t have yet that virtuoso playing style on my didge.

Reflecting as I type, my busking life represents a syncretic impulse of lots of shine and little shoe, and my didgeridooin’ is a continuation of such perfunctory guitar busking to date.  With my twelve-string guitar I’ve acquired the skills adequate enough to busk and gig.  With my didgeridoo I’ve skills adequate enough to busk, but not adequate enough to gig.

With my guitar I continue to compose new melodies and new lyrics whilst I busk, getting ever ready for my next gig elsewhere on the road or sidewalk, or maybe even a bar stage. With my didge, rather than any opus, I still can blow only those sempiternal earth-toned drones, suited only to my buskspot.

FACTOID:  My skills on guitar good are enough to take to the road, allowing me to be romantically nomadic (my delusional personal theme); whereas for now on the didge, my skills are limited to blowing terrestrial drones (my delusional presentation of the earth in song).

I must brag that droning my didgeridoo I’m just short of that grand tucket entrance, just a smidgen of a breath away from circular breathing proficiency.  However, generally speaking in regard to busking, my guitar strumming is restricted to warm and sunny seasons; whereas, my didgeridoo droning should be unfettered from the seasons, tolerable even during the inclement weather of winter.

And speaking of winter, here are some fall photos as I ready myself for the inevitable:

AUTUMN

Now is Autumn, and  I love the colored leaves, even though they are a stark reminder that the winter snow is soon coming.   Somewhat sadly and somewhat cowardly, these same leaves metaphorically remind me that I am in the autumn of my life.   

AUTUMN GEESE ON WASCANA LAKE
Wascana Lake is the stopover for over 10,000 geese each fall, another reminder of my current stage in life.

MY DIDGE REPAIR

Last week Joanne, owner and manager of BOOMTOWN DRUMS, gave me a couple of didgeridoos.  In the meantime, Baron’s didge developed a couple cracks and being ever ready to repair anything (I’m kidding of course … Factoid:  If it can be fixed with a knife and fork – I’m your guy), I took on the job.  I bought some bicycle tape from the bicycle shop and wrapped it around the mouthpiece.  It looks good! 
 
BARON ON THE PAN
The pan drum originated in Trinidad and Tobago and the didgeridoo originated in Australia.  Baron and I have decided to live on the bitter winter’s edge – he will tap the pan and I will toot the didgeridoo.  I find it quite fitting that our blistering winter busking will be of an exotic nature.

MONEY IS EVIL

It was the guitar that helped me discover my deeper self (when I didn’t know I was searching); my guitar elevated me from my day-to-day pedestrian notions of fun.  I do have a history of fun as watching television or going to the bar.  These past years I’ve discovered fun to be synonymous with busking, strumming and socializing on any city sidewalk in any locale.  I suspect the didge, too, will do the same and redefine my notion of fun.

That said, being a busker I am a mercenary (of sorts) with a mercenary mission.  I know that money is evil but … having a guitar case filled with money can be devilishly fun. 

ANOTHER AMERICANO DECAF PLEASE!   
SOMEBODY STOP ME!


Monday, September 12, 2016

NEIL'S NEOPHILIA: DIDGE YA KNOW I LOVE TO DOO IT?



Rain, rain, go away … not really but the constant rain all this week certainly dampens my spirits and darkens my busking clouds (mixed metaphor intended).  And the intended pun in my snappy title has been resurrected (sort of) from some past posts about my playing a didgeridoo, DOOIN’ STANDUP … (November 04, 2012), JUST DIDGERIDOO IT … (October 12, 202), and A DIDGE OR A DOO … (October 30, 2012).

Anyway, this perpetual rain has me re-acquainting with my didgeridoo, and for my busking that is good.  My enthusiasm for my didgeridoo has bees waxed again, and today I’ll extend another olla prodrida on didgin’ it.

First off, I’ll mention, dear readers, that busking with a didge attracts bald guys with bare feet and hippy girls dancing in the rain in the park.  Baron, my favorite buskmate, and I have taken to walking the four kilometer Blue Trail around Wascana Lake while blowing our didgeridoos.  Such a peripatetic activity does attract lots of attention.

WASCANA LAKE PATH
Though every time we doo this, from the peloton of people stopping and discussing our didges, two bald men in bare feet especially come to mind.  Stereo-typically they looked like Zen Buddhist monks and behaved as such.  They were quite the pair walking in light summer leggings, bald without shirts and shoes.  They were friendly and curious and talked lots about our didge playing, how soothing it was, and how important it was for guys like Baron and self to be so evangelical, spreading our drones of love along the path and across the lake.

The hippy girl in Victoria Park, tossing helicopter leaves and dancing on the grass, could not resist joining me on the park bench, sitting right next to me and asking about my didge whilst I droned.  She used to be a school teacher and decided that tutoring was a higher and more worthy calling (for her).  Woodstockish in apparel and phatic chat, she was in the process of selling her “gas guzzling car” and moving into her mom’s, to save money and stay closer to downtown Regina. 

Groovy huh?  Not really, really heavy, but … man … feelin’ groovy for sure.

FEELIN' GROOVY
HIPPY HELICOPTER LEAVES
The didgeridoo is an instrument of joy, being the instrumental metaphor and synonym for meditation.  Blowing guttural raspberries while walking a littoral path or while seated on a park bench are the perfect venues for the pure and ethereal resonating rhythms of the didge, an individual expression enchanting joy to all those within listening range.

Knowing how much we love and play our didgeridoos, JOANNE CROFFORD of BOOMTOWN DRUMS, gave us two didges (for free) just last Saturday, one wood and the other synthetic.  (A couple summers ago while busking at Regina Beach, Canada, Joanne presented us each with her new-style quivers, hand-sewn specifically for our didges.) 

If the earth could speak it would sound like the didge.  The haunting hums of the didge can transport across water and rise above trees and can attract … bald men with bare feet and hippy girls dancing in the rain in the park.

My love for the didge is a direct repercussion (pun intended) of my love for busking.  I LOVE BUSKING.  Being a Canadian, for the sake of body comfort and convenience I am restricted to being a three season guitar and harp busker.   A few years ago I decided I could be a four season busker.  I mean, really, I could pull on my toque and parker, my snow pants and snow boots, and holding a didge with my mittens, I could drone all day.   But first, I’d have to get a didge and learn how to play it.

Getting a didge was easy; I bought a synthetic red Meinl from Long and McQuade.  
  


And then Baron bought one from Joanne at Boomtown Drums.  Being a professional busking percussionist, Baron had been a regular consumer at Boomtown Drums for years.  


It took about an hour of self-learning to blow the raspberry drone sound.  Three years later after viewing a hundred YouTube videos I’m still learning to circular breathe.  I can huff and puff but can’t quite blow your house down yet but … I am getting it … learning to breathe in through my nose … breathe out through my lungs … then puff air out my cheeks while inhaling through my nose … continue the cycle.  It could be delusional thinking but I’m now good enough to didge busk this winter.  

I won’t be strumming; I won’t be thrumming; I will be humming.

My CHAUCERIAN PARADE this week:  Baron and Yatri on the Cajon ... NHL Scout, Brad Hornung and his mother, Terry Hornung listening to the beats!

YATRI, THE LITTLE DRUMMER GIRL

      
 

Monday, September 5, 2016

STEEPED IN PURITEA: A SACHARINE SPIN ON THE STATE OF THE BUSKERHOOD



SHIRTLESS IN SPARWOOD
Steeped tea, whole leaf tea brewed to perfection, from Tim Hortons is the best.  Every day in my workaday world begins with a medium steeped tea, two drams of milk and single sugar from Tim Hortons in the Cornwall Centre, Regina, Saskatchewan, CANADA, en route to my office right next door. 

(I feel immensurable joy every time I sip a TIM HORTONS steeped tea.)

My busking was quite limited this summer because of the surgical wound on my guitar-slinging left shoulder.  I could have sat myself on a picnic stool and strummed strapless but … I’m never one to sit and strum … I think it looks beggar-like rather than busker-like.

All is past and I’m back busking and that is the main thing.  After clearance from my cancer doctor I am good-to-go, which includes slinging my twelve-string over my left shoulder and doing some stand-up guitar strumming.  This week I managed to be out there busking four times, three times with my guitar, and yesterday with my banjitar!

(I feel immensurable joy every time I sip a TIM HORTONS steeped tea.)

Yes, I guess this last statement could be a subliminal advertisement for TIMS (the Canadian nickname for Tim Hortons). 

FACTOID:  In this blog entry I am going to write about my summer buskation experience at several Tim Hortons franchises in cities in British Columbia, and connect this notion to the state of the current Canadian buskerhood (which I find disconcerting, to say the least).  

First off, a busker in a good physical and mental state can lead an almost amaranthine existence just by being a busker.  (And if you don't believe me, just ask me!  Note my narcissistic pic on this blog header -- keeping in mind I am 65 years of age!)   

Think of this.  Busking is so cool is it not?  I mean really, being known as Neil the busker is far more intriguing than being Neil the counselor, or Neil the university professor.  Neil the busker connotes mystery and adventure and free spirit; whereas Neil the counselor or Neil the university professor connotes a kind of cool Corporate America, but not nearly as cool Neil the busker.

And to give the appearance of COOL, my accoutrements, cap-a-pie, is mainly my garb:  ‘Neath my shock of thick and messy platinum blonde hair, a pair of cool red and black shades that I purchased while busking in front of a sunglasses shop in Amsterdam, a crisp and collared white long-sleeved shirt (one of several purchased in Barcelona), wearing faded blue jeans, and standing in my polished black steel-toed work boots.  Enough humble-bragging.  I am what I am and this is my signature style of dress.

Meanwhile … back to sipping at TIMS. 

(I feel immensurable joy every time I sip a TIM HORTONS steeped tea.)  

Baron, my favorite buskmate, tossed his cajon box drum into the back of my Acura RDX (more humble-bragging) and we drove to Fernie, British Columbia for a week of serious busking.  The day we left Regina it was sunny and windless and I’d imagined the same munificent weather to be the same when we arrived at Fernie.  I had imagined wrong.

It rained the whole time our stay in Fernie.  To make the best of a bad buskation, we did a little hiking, a little biking, and a lot of beer drinking (but nary a sip of suds until suppertime).  Each day began with a healthy breakfast provided by PATRICK and JO-ANN BURKE (THE NURSES RESIDENCE BED AND BREAKFAST), followed by a couple hours of weight lifting at EVOLUTION (Scott, the owner and manager was very accommodating – he seemed to love the SASKATCHEWAN buskers, giving us a great deal on our daily payment).

After a few days of non-busking, Baron and I decided to hit the highway, drive east through the Lizard Range of the Canadian Rockies on Highway #3 (the CROWSNEST Highway), then through the south-western Canadian ROCKIES of the CROWSNEST PASS, and indulge ourselves in some small-town busking.  We decided to busk only at TIM HORTONS locations, and we decided to do it for free.

Hmmm … and hence my snappy blog title … STEEPED IN PURITEA:  A SACHARINE SPIN ON THE STATE OF BUSKERHOOD, an intended pun employing my loving for steeped tea and my loathing for the current state of the guitar buskerhood.

I abhor being within the vicinity of amplified buskers!  Actually, I abhor amplified buskers in general.  Every week at the Regina Farmers Market I am surrounded by cover songs dis-enhanced by an amplified guitar.  I should also mention that I loathe cover tunes at farmers markets, especially when most farmers markets are completely disconnected from SOCAN (the Society of Composers, Authors and Music Publishers of Canada), and apparently so are those buskers.  Anyway, my conceited notion of being a purist busker means simply that my style of busking is in adherence to some traditional rules and structures long related to busking, but as of late have been let go (it seems).
(Albeit I must concede to the factoids that lots of a-go-go buskers carry portable amps and are selling CDs out of their guitar cases.) 

Cover songs offer a window of insight to a busker’s creativity.  Those buskers who play only covers lack creativity, and are just as not creative as those, like me, who play only original tunes.  (How arrogant am I.  Factoid:  I compose lyrics and riffs whilst I busk and get paid to do so!) 
And besides the covers, those buskers who amplify their guitar licks, have little or no consideration for the purist members of the buskerhood, drowning out the thrums and songs of the real (the purist) buskers in the vicinity.

(I feel immensurable joy every time I sip a TIM HORTONS steeped tea.)

Well we pulled out of Fernie and rolled along the towns of the Crowsnest Pass, busking in the coal town of Sparwood, the cowboy town of Pincher Creek, the North West Mounted Police town of Fort Macleod, the university city of Lethbridge, the land of sugar beets and corn, Tabor, and ending our buskation at Gas City, Medicine Hat.  We began every busk with a steeped tea and sour cream glazed donut.

(I feel immensurable joy every time I sip a TIM HORTONS steeped tea.)

Hmmm … we busked for free ... you say.  Are we crazy?  No, Baron and I are certainly not meshuggeners; rather, we are busking purists!  Our appeal is the joy we deliver in song to the ruck that gathered in the parking lots of Tim Hortons.

Admittedly this essay, as most my essays, is quite Aesopian in nature, plugging for readers the idea and argument of unplugged selfless busking as compared to amplified selfish busking, whilst appealing along the left to right continuum (from selfish to selfless) to other purists of my ilk.

And here marching in my CHAUCERIAN PARADE these past few weeks: 

BARON AT SUPPERTIME




BIKING AT FERNIE

HIKING IN THE LAND OF THE GIANTS

PATRICK BURKE (OWNER OF THE NURSES RESIDENCE BED AND BREAKFAST)

SCOTT (OWNER OF EVOLUTION FITNESS)

TIM HORTONS

TIM HORTONS

TIM HORTONS

I FEEL IMMENSURABLE JOY ... EVERY TIME 
I SIP A TIM HORTONS STEEPED TEA!

Sunday, July 31, 2016

STAGE VERSUS STREET: BANDS SUCK -- BUSKERS RULE


MY BANFF SELFIE
In my last blog post I referred to my having a minor surgery on my left shoulder; today I had another surgery for the same shoulder.  The first surgery was a biopsy, the second one to remove my basal cell carcinoma, the most frequently occurring form of skin cancer (not to worry, the operation was a success).  Initially the pearly reddish patch on my left shoulder was finally brought to my real attention on a bike ride with my friend, Chris.  

“You’d better get that checked out,” she said, “it is likely skin cancer and it goes really, really deep under the surface.”  Chris was smiling and joking when she said this.

Hmmm … Feeling a bit unnerved with her comment I got my spot checked out the very next week.  It was diagnosed as cancer and caught early enough that I can now refer to myself as a cancer survivor.    

When I was 13 years of age while riding a horse across Notekeu Creek I was shot in the right shoulder with a 22 rifle by some boys shooting frogs along the creek bank (see my blog posting, BOY 13 SHOT IN SHOULDER: AN ESSAY ON A REAL BUSKEROO, Saturday, March 24th, 2012).  I still have the scar from when the doctor cut out the bullet.  With this latest surgery I now have a similar looking scar on my left shoulder, and so here is my new tagline: 

I TOOK A BULLET IN MY RIGHT SHOULDER AND DODGED A BULLET IN MY LEFT!

Enough of this pity and proud introduction -- today my essay is that of being a band member contrasted to that of being a busker.  I’ll start with a couple of stereotypes:  Band members are those shiny people on stage with baditude issues and Buskers are those lonely unpolished bards who are in search of a band.

Band members are those shiny people on stage with baditude issues:

And this stereotype is not-so-strangely sort of true.  It takes a lot of jam to strum and play on a bar stage and because most, if not all of the audience members, are drinking booze resulting in some of the bar patrons looking at the band members through their seductive liquor goggles. Hmmm … and more the confident a performer gets strumming and strutting on stage, the more cocky and cavalier one becomes.  (And if you don’t believe me -- just ask me.)

Buskers are those lonely unpolished bards who are in search of a band:

I’ve been in bands and I am a busker and I cannot count the number of times someone has suggested I team up with so-and-so because so-and-so is also a busker and together we’d make a great band. And why would a busker prefer the street to a stage, prefer to be perceived among dregs rather than a shiny chick magnets?  Here are the reasons why:

  • PICKING THE BAND

Finding suitable band mates is a chore.  Friends are usually the first pool of players to choose from when forming a band.  The second pool comes from the music community of which you are most familiar.  Once the players are picked then each of the individual personalities has to be reckoned with on a continuing basis.  Most bands I’ve been involved with seem to thrive on egotistical drama and is incumbent upon all of the members to keep band-centered rather than ego-centered.  This is the main cause of bands breaking up.

ZEROTH.  This is the number of band mates you need to be a busker.  With zero band mates there is never an issue of collective social drama.  Buskers can be egocentric and not miss a street beat. 
With busking you just pick yourself for a solitary and totalitarian enterprise, no screening or auditions necessary.

  • PICKING THE EQUIPMENT

YIKES.  Bands need lots – buskers need little.  Bands that perform live need equipment, microphones, amplifiers, monitors, and the technical list is actually endless.  Guitar buskers need only a guitar and a singing voice, though the singing is optional.

Bands need to be with-it -- buskers need to be without.  This need is in terms of every regard from equipment to marketing.

  • PERFECT PRACTICE MAKES PERFECT PERFORMANCE

Bands have to practice to get their songs tight.  Most bands that offer solid performances practice at least once a week; whereas, buskers play loose and, in fact, get paid to practice.  For buskers, every busking occasion is a paid practice.

For a band to practice at least once a week demands quite a commitment of its members.  The more members a band has, the more frustrating it is the keep the collective committed to the practice schedules.  For a band, perfect practice means near perfect performance.  For bands, the rehearsals are like the real thing.

  • DECISIONS DECISIONS

Most bands play covers to appeal to their audiences, but once in a while an original song is squawked out during a set.  There are several sublimated singer-songwriters on any given band stage. 

Buskers, on the other hand, play and sing whatever they want whenever moment they want.  Bands play according to script – buskers play according to heart.


  • THE LOOK

Every band needs a certain look.  Some bands are in costume, and for others, their look is being out-of-costume.  I remember being in the band, Sharie and the Shades.  In that band we all wore black shirts with blue jeans.  Strangely, I carried on that practice for years later.  Whenever I was on a stage strumming and singing I always wore blue jeans and a black shirt.  Now I always wear jeans and usually a white shirt.  Over the past couple decades it has seemed always to me to be, literally, either black or white. 

Factoid:  My buddy Devon and self are playing at the COPPER KETTLE tomorrow night.  We’ll both be wearing jeans (this is not planned but in any duo performance previous with Devon he has always wore jeans) and both us will be in a long-sleeved shirt.  (Mine will be white and knowing Devon from previous gigs, his will be darker.)  Whatever garb Devon is donning, we will present as crisp looking when we perform.

Buskers can look crisp or sloppy – As long as they’re clean, nobody cares.

  • MEMBER RESPONSIBILITIES

Who ought to be doing what is always a concern for a band.  The band manager, who is usually an active band member, should assign specific duties to each of the other band members.  Typically the band manager does the bookings; whereas the duties of set-ups and sound-checks should be assigned to others.  All individual equipment should be lugged by the members who use it.  I’ve been in several bands and it seems that other than show and shoulder their own equipment, most band members roll along with a not-my-job attitude.   

Band members, for the most part, do not appreciate their manager’s labour and stress involved in booking gigs.  Unfortunately this minimum- effort- for- maximum -gain attitude seems prevalent in band and most other communities.  (I, myself, seem to suffer this same malady line.)

Band members tend to be like house cats prowling out-of-door for the evenings.  Bands haunt the same hunting grounds time and again, playing in familiar bars in familiar cities and towns.

Buskers, on the other hand, tend to be wildcatters, showing off their wares in the most obscure and experimental settings.

Both bands and buskers are driven by mercenary adventure and endeavor, and this is just one of many comparisons (even though this essay in on their contrasts). 

Bands are fragile – buskers are forever (or at least as long as the shelf life for any particular busker).
Admittedly the camaraderie among band mates cannot be replicated being a busker on the street.  The camaraderie of being in a band is most certainly endearing.  I love all my band-mates, those that were and those that still are.  But saying thus, camaraderie can most certainly be attained in other areas of anyone’s life, other hobbies for example.  I must mention that for me THERE IS NO BETTER CAMARADERIE than being a band member in this regard.

As a busker, between consumers I am allowed a hundred Walter Mitty moments within my self-initialized time frame. 

Factoid:  On occasion I have daydreamed through my whole busking time.

Any such Walter Mitty moments on a stage can only drift into performance disaster.  Every band member during every song has to stay focused, because each player is reliant upon the other members to play their instruments according to their practiced scripts.  A song on a stage shared among band mates is truly a trapeze act; whereas safety nets and member supports are never necessary for buskers.

BANDS ARE LIKE THE TRAPEZE -- 
BUSKERS ARE LIKE THE TIGHT ROPE.   

My CHAUCERIAN PARADE members marching today:

A MURDER OF CROWS AT THE START OF MY HILL EARLY THIS MORNING
 
A COUPLE BUSY BEAVERS AT THE END OF MY HILL RUN
THE HOCKEY TEAM I CAPTURED IN MY SELFIE (AT THE TOP) ... MY GHOST IS IN THE CLOUD