Saturday, September 30, 2023

A BUSKER'S RHAPSODY

A PROMO FOR MY LATEST BOOK (TO ORDER: CLICK ON MARGIN TO THE RIGHT)

From my guitar-slinger perspective, nobody looked better on stage with a guitar than Kris Kristofferson, especially when he strummed along with Johnny and Waylon and Willie of The Highwaymen. Kris exuded cool.

Factoid: My busking style is fashioned after the Kristofferson attire of a t-shirt, jeans, and work boots.  Kris had the look and that look was cool.  Whenever I go busking, I model my look after Kris.  But to look as cool as Kris takes considerable labour.  To look cool ain’t easy!

First, to start I kinda look the part.  My 6’1” body type is somewhere between ectomorph and mesomorph. But to keep this look takes a strict adherence to diet and exercise.  Early every morning I weigh myself.  Saying this is not to brag -- this is psychological issue with which I am seemingly cursed.  But I digress.  When I hit the scale and it shows above 167 pounds, I freak out.  Over course of the day (pun intended), I eat nothing.  And I continue to eat nothing until my weight is at 167 or less.  This is a fool's effort, but it works.  It works to keep me as an ectomorph.

Moving purposely toward mesomorphism, I adhere to weight training on my daily regimen.  In the summertime busking season, for me it has got to be “sun’s out, guns out.”  Ever narcissistic, my physical look is very, very necessary for looking good.  This may sound shallow, but I base my obsession on a debatable fact of the human condition.

KRIS IN CONCERT

MY KRIS-COPY SELF IN CONCERT

Being an existentialist, I believe that our only purpose for being is to procreate and continue the species.  And being narcissistic, I blame my thinking on evolutionary psychology.  To continue the species, we biologically need to mate, and to attract a mate, it helps to look good.  I go to the gym five times a week and lift weights not necessarily for improvement of my physical health.  I go to the gym five times a week and lift weights not necessarily because I believe I need to be fit.  I go to the gym fives times a week and lift weights for the principal purpose of looking good. Even though I know this sounds socially shallow, this is selfishly true.  (I must stress to anyone reading this that I do not apply any form of inductive reasoning to assume my reasons for going to the gym are for those same reasons as others’.  My reason belongs only to me, me, me, and I attribute this reason to no one other than me, me, me.)

Second, I choose my costume according to what I believe are the accoutrements to my looking good.  Cap-a-pie I am usually hatless, but wear the shades and a long-sleeved white shirt with a collar if the sky is without clouds and the sun is shiny, shiny, and hot and if it is noonish between eleven o’clock and one o’clock.

(Since my bout with skin cancer a decade ago, I never overexpose my skin to the sun – I have become the shadow man over the noon hour.  When I was younger, I always worked on road crews or pipelines and in summer was always shirtless.  As a young adult I taught swimming for close to 20 years, most of the time at outdoor pools.  Teaching swimming, I was both shirtless and trouserless, garbed in just  swimming trunks and having a beach towel for a body wrap.)

Before and after those noon hours, early mornings, or early evenings, I doff the long sleeve and don a tight white T-shirt. For pants I prefer Levi 501 jeans (size 32-32), and for footwear, black or brown leather work boots.

Third, I need the skill sets for playing and presenting.  I need the technical skill set to play my guitar with enough proficiency to busk, and I need social skill set to present to potential consumers that I am a chatty and sociable kind of guy.

Strumming and singing with a guitar on a downtown public sidewalk or on a speaker’s corner in a public park takes practice, practice, practice.  And to thrum those guitar strings whilst blowing a blues harp takes even more practice.

Fortunately, I am a wordsmith and I have had the good fortune, too, of sharing many a stage with a huge assortment of fellow singer-songwriters.  Having a resume of over a hundred bar gigs, I can self-reflect upon my performance ability.  I know that my cowboy-chord guitar skills fall somewhere between that of a virtuoso and a tyro, but more towards tyro to be truthful. And as an extrovert, I know that my modus operandi has always been the ability to engage in phatic chat with anyone at anytime, extemporaneous verbal exchanges especially with those within my buskspot proximity.  Factoid:  Thus, my finger and mouth motor skills are a gift for my busker guitar strumming and gabbing. 

Busking with my twelve-string throughout redbrick communities in western Canada continues to be the nidus for my love of busking. And over the years I have also plied my art of busking outside of Canada, namely at The Dam in Amsterdam (The Netherlands), on the streets of Limerick (Ireland), in the Temple Bar in Dublin (Ireland), and also on the Jemaa el-Fna Square in Marrakech (Morocco). Proclaiming these faraway busking adventures with éclat, I fancy myself as really being a planetary busker!

Marching in my CHAUCERIAN PARADE this week are my memories of fellow buskers, Devon and Christian, and my favorite bag lady, Angelina, all of whom being familiar strangers back in my busking days one summer on the streets of Victoria, British Columbia, Canada.  

Here is the song that I wrote about my memories of these folk during that wonderful, wonderful summer!  ENJOY!

SONG A BUSKER’S RHAPSODY

[INSTRUMENTAL CHORUS      C   Am   F   G … (X3)                    C

VERSE 1             C  Em  F  G        C

Up the street is Devon

Who thinks he’s Bobby Dylan

Noodling on his guitar

While blowing out his blues harp

Um hummm

[INSTRUMENTAL CHORUS]

VERSE 2             C Em F G            C

Down the street is Christian

Who thinks he’s Ravi Shankar

Chain-smoking on the corner

Plucking on his sitar

Um hummm

[INSTRUMENTAL CHORUS]

VERSE 3             C Em F G            C

Here comes Angelina

Who thinks she’s Ginger Rogers

Dancing ‘round her Safeway cart

Her beer breath on my folk art

Um hummm

[INSTRUMENTAL CHORUS]

VERSE 4             C Em F G            C

Devon and Christian and Angelina

These folks are to me … my busker’s rhapsody (X2)

Um hummm


 

 

Thursday, September 14, 2023

QUEST FOR BLACK BEACH: TINTINNABULATION!


TINTINNABULATION!  Because in my world the bells are ringing!  Starting September 10th in this very year, my novella for adolescents, QUEST FOR BLACK BEACH, has been a-go-go on the market!  And before I write on, my first order of business is a BIG THANK-YOU TO 
JEANNE MARTINSON OF WOOD DRAGON BOOKS!

*(For more information on access and price, just click on 
QUEST FOR BLACK BEACH pictured in the side-bar to the right of this blog entry.)

Here is a thumbnail sketch of QUEST FOR BLACK BEACH:

It is the year 2113 and a series of brightblasts has resulted in four remnant groups vying for survival: the robotia, the roktillia, the pterosauria, and the humanoids.

The robotia represent what is left of the mechanical world. These robots have an incredibly high artificial intelligence and adhere to the codes of conduct as designed in their individual and collective programming. The roktillia are a mutated blend of mammal and reptile, with unique traits to help them survive both on land and in water. The pterosauria are large featherless creatures that can fly. Most of the humanoids have established themselves in close communities along the waterways. Other humanoids have become alienated and are ruthless hunters and scavengers.

Two young sailors, Kllay and Buzz, rowing an old wooden boat, The Snail, along a creek to the sea sanctuary of Black Beach. Along with their companion, Westminster, a member of the robotia, they battle against hostile humanoids, roktillia, pterosauria, and other robotia on their quest to reach Black Beach and reunite with their family.

I love this story, and even more so now as a published book!


I suppose an early cheesy marketing strategy would be for me to solicit my family and my friends and my colleagues for praise and profit. However, this is more of a strategy to dampen friends and damage the respect of colleagues. Such a strategy encourages only sycophant praise with nickel-and-penny profit.  Despite this truth, this has been my tactic to date.  (Really, I should be letting my publisher take the reins on all of this --- but I so want others within and without to recognize how literary I am, damnit! For whatever shallow reasons I suffer psychologically, I seem to crave the celebrity.)  Currently, I am creating my claque for this soon-to-be, hope-to-be money maker!  For my QUEST FOR BLACK BEACH to be a BESTSELLER, the book must have olla podrida appeal.  Hmmm … a hodgepodge readership of a million teenagers would do it! 

Ah, of course in my dreams now ... 
I see myself cavorting along the Mediterranean beaches on sunny days, 
and toiling with tireless pen in a garret, cold and dark and drear, 
in moonlit evenings.  Thank you, Robert Service, 
for this Unforgotten inspirational line!

QUEST FOR BLACK BEACH is not my first book to be published. In 1985, while in graduate studies, I wrote A WISHBONE EPISTOLARY. Back then, 38 years ago, I got my Andy Warhol 15 minutes of basking in a delusional fame when my WISHBONE was distributed to every member of the CANADIAN GUIDANCE COUNSELLORS ASSOCIATION. But that was then, this is now. Alas, all those past WISHBONE readers are either retired or dead, none of whom being potential QUEST FOR BLACK BEACH consumers.  For another 15 minutes of fame, I really do need that hodgepodge of a million teenagers mentioned above.


ONE OF MY FEW COPIES LEFT

Publisher: Guidance Centre, Faculty of Education, University of Toronto (1985)

FACTOID:  I began writing QUEST FOR BLACK BEACH immediately after A WISHBONE EPISTOLARY was published.  QUEST FOR BLACK BEACH has been on my brain for a long, long time.

More FACTOIDS: Thirty-eight years from A WISHBONE EPISTOLARY I am still hale and hardy.  Since the time of that publication, I have kept writing mostly for fun and sometimes for profit.  For profit, I have written book reviews for the local newspaper; for profit, I have written a few magazine articles (I especially loved “VALLEY OF GHOSTS” – a scuba expedition a friend and I took); for fun and profit, I have written close to a hundred songs (I am a singer-songwriter for bar gigs and busking); and for fun I have written more than a couple hundred blog entries, the one you are reading right now being the latest sample.

MY ONLY COPY

Anyway, I have lasted this long as a writer and now at long last I am again, a contemporary published author.  And I shall resume my novel writing (for profit) with chutzpah!

Marching in my CHAUCERIAN PARADE this week:

BUSKING AT THE CONEXUS ARTS CENTRE

BARON AND SELF BUSKING AT THE QUEEN CITY MARATHON