Wednesday, November 24, 2021

TAKING CARE OF BUSINESS: MY BRAIN, BY BODY, MY BUSKING

STRUMMING AND SINGING AT THE CONEXUS ARTS CENTRE

 The start of my snappy title was stolen, or rather, borrowed from the most well-known and enduring song of Randy Bachman (Bachman-Turner Overdrive, 1973). I should mention, too, that this same song title was employed prolifically by fellow Regina resident, Kevin Holness, half-back for the Canadian National Soccer team (1990-92, 1995-96), who named his local Regina team, TCOB (Taking Care of Business).  But I digress …

As everyone else, I, too, am taking care of business.  Today, selfishly, I am my writing about my brain, my body, and my busking.  And in a definite order of importance, shall my racing and writing thoughts begin!

  • MY BRAIN …

Taking care of my brain I have always the urge to write.  Writing, I believe, is the natural extension of thinking.  As stated in the paragraph above, I am one with continual racing thoughts.  In delusional fashion, I am convinced that I have more control of these thoughts when I put them onto paper, rather than just be pestered by them all day long.  In this regard I am privileged and lucky.  I love to write songs (I am a local singer-songwriter); I love to write therapeutic scripts (I am a hypnotherapist); I love to write essays (I am a blogger).

For every season for every year, I have a singer-songwriter gig the BUSHWAKKER BREW PUB.  This has been the case for the last eight years.  To prepare for this and for my own personal amusement, I write original folk songs, lots of them, some even on demand.

For my private hypnotherapy practice, to induce my clients are into a state of trance, the scenes they enact are written mostly by me, whereas, the newly minted behaviour scripts are a collaboration of both my clients and myself.  In any case (pun intended), creative thinking, creative writing, and creative scripting are of utmost importance.  It is during a period of introspection after not having great success with any client, that I tend to re-think and re-create and re-write ideas and scripts.

For my blog, starting with a creative snappy title and closing with my Chaucerian Parade, and all the words in-between, are written by me.  In my blog beginnings, I used to write, without fail, one entry each week.  And now many years since, having now readers from 151 countries, I have become somewhat complacent.  Whenever a topic or a snappy title jumps at me, I write another entry.  The frequency now of such happenchance is usually bi-weekly.


  • MY BODY …

I know that I have only one body for which I take complete responsibility.  Hmmm … my body my temple metaphor has too much that divine connotation.  Perhaps, more suitable (pun intended again) metaphor would be, with absolutely no choice, in this skin is the only place that I must reside.

In the 70’s and 80’s I was a swimmer (a miles of laps every morning all through my university years);  in the early 80’s I became a long-distance runner;  in the late 80’s I became a weight lifter; a decade into the 2000’s I became a Muay Thai guy.

And to follow up on these activities:  I taught swimming and high diving and scuba introduction for over 10 years; I have run a couple of marathons and many, many half marathons; I have taught weight training, and am presently teaching fundamental Muay Thai on my current education contract.

Swimming and running have been great for my cardio; weightlifting have been great for my physique my social capital.  Parallel to my having a master’s degree in psychology and people thinking I am intelligent, being a pseudo-martial artist people think I am tough.  And admittedly ingloriously, I very seldom dissuade others of imagining these two social perceptions.

Factoid: My privilege began at my birthday.  Now at a waning 70 years of age and reflecting on my life-to-death continuum, deservedly or undeservedly, I am lucky that I have been genetically gifted with a mop-shock of hair, a six-foot stature, 20-20 hot hazel eyes, and a singing and speaking voice that is basso-profundo.  And that is all I must declare about my physical presence.


  • MY BUSKING …

Soon after the turn of the century I became a busker.  One summer day, July 1st, 2003, my son, Baron, and I loaded our van and we drove west to Victoria, British Columbia on buskation.  We chose Victoria because two of my children, my oldest and my youngest, were attending the University of Victoria at the time.  Baron and I rented a small house on the edge of downtown and went busking on the mean streets of Victoria for one month.  Our daily timetable in Victoria:  On awakening, we would lift weights at the Phoenix club, after which we would eat our breakfast at some downtown hole-in-the-wall diner.  Then we would walk home (to our rental), wash up, and change into our busking duds.  Our busking schedule, by our design, was matched to that of the cruise ships.  Every time a cruise ship stopped, at least a thousand passengers would unload and walk and shop about the Inner Harbour in downtown Victoria.

Returning to Saskatchewan we spent some time busking in Kamloops, in Salmon Arm, in Medicine Hat, and in Moose Jaw.  I must mention that Baron and I have ridden that busking trail more than a few times since.  Busking has become a pastime passion, and my ultimate plan is to become a planetary busker.  I have a wanderlust, and not just in a Walter Mitty fashion. I have strummed my guitar on streets in the Netherlands, Ireland, and Morocco. And wherever I have strummed, I have also brought out my pencil, my persona changing to that of a street portrait artist busker.  I love both alterities!


I have bracketed this essay into three sections, My Brain, My Body, My Busking, and have presented them, for the economy of writing convenience, as separate entities.  Accordingly, they could be recognized as being disparate, but this is not necessarily so.  I do have that creative esemplastic literary power to make a case for blending them, for harmonizing them, and for in fact, treating them as being synonymous.  Ah, but that is another ship to sail, another essay to float.

In this essay I have presented that I am a martinet in my personal regimens about my brain, my body, and my busking.  And indeed, I am, but only when it comes to weight training.  My other mentioned actions are frequent, but not so over-fastidious.

In this essay I have also suggested that I am the quintessential Brainiac, the quintessential Beef Cake, the quintessential Busker, all of which I shall emphatically state -- I am not.

But I would like to be!

 

 

 

Wednesday, November 17, 2021

NYET TO THE STAGE -- YES TO THE STREET

 


This is a blog about busking.  There are times, however, that I do write about the glories of gigging; today is not one of them.  When I think about going busking, I think about the love and the freedom and the fun.  When I think about performing on stage, these tenets do come to mind, but only in a modified fashion.  I shall elaborate. 

  • THE LOVE

There is certainly love on the stage, but not all the time.  Stage gigs come with considerable angst.  Getting the gig is easy; soliciting for bandmates is not so easy.  Sure, I have a cache of ever-faithful guitar-slingers who are positively just a text away.  For example, one confidante gig-mate of mine, Trent, is a guitar virtuoso, and has NEVER missed a gig with me at the BUSHWAKKER BREWPUB! For the last eight years have had four singer-songwriter Bushwakker stage appearances every year, one for each season!   

Like Trent, all my gig-mates are just great to be around. However, a significant piece of my imaginary and unwritten gig mandate, is to recruit new and raw talent for the Bushwakker stage; therefore, I am always on the hunt for new members. Being a busker, I know that the biggest bush to beat in search of local talent is in front of liquor stores!  I have recruited many a young and fresh guitar-slinger-songwriter from this very challenging and gritty venue. 

Other stage angst includes creating playlists, practicing songs, and being politically motivated to keep everyone happy.  Keeping everyone happy includes the bar staff, the sound technician, fellow performers, and of course, the bar crowd of imbibers!  The bigger the crowd, the bigger the loot.  The daily loot for a busker is always a guesstimate, whereas the amount of money for a gigger has a guaranteed minimum.

  • THE FREEDOM

On stage I am tethered to a written contract.  I show up at such-and-such a time, perform two or three sets on a prescribed time, and close on a set time. 

Busking I am unbound.  In time I am unstuck.  Busking I can show up whenever I want.  If, for example, I know that in Victoria, B.C. that the thickest crowds are those that take leave of their cruise ship to shop downtown, then I play according to the ship schedules.  Or if it is sunny and windless, I sometimes thrum all day.  No matter the locale if I am in the mood I stay and strum.  If I am not in the mood, I go elsewhere and do other things.

On stage the gigs are weatherproof.  Just like the gig take, the temperature is pretty much a constant.  Sometimes, though, under the stage lights, the temperature rises.  Sweating while strumming and singing on stage is not uncommon. 

Busking on the street, one must weather the elements.  A brutto-tempo busker, purportedly by me to be sometimes, in truth I am not.  I am a very weathered busker, but this measure according to time spent rather than weather persevered.  Quite unlike the postal person who delivers the mail in rain and snow and sleet and hail, I suffer the elements only by choice, my choice!

Factoid:  Magnificent weather makes for munificent gestures from my passer-by consumers.

  • THE FUN

Meeting up with my gig mates four times at year at the BUSHWAKKER BREW PUB gives me the opportunity to transcend time!   Four times a year I molt all my infirm and self-alchemize to be a thirty-something beer-chugger with my guitar-slinger half-my-age stage-mates.  Yes, I am that delusional.

And it is fun, too, in delusional fashion busking and morphing into that stranger-comes-to-town persona.  In real time I get to embellish that road theme that I love so much in novels and movies and real life!  Whenever I am traveling down that busker road in new surroundings and meeting new and perfect strangers, as always, people approach me with phatic chit chat on their mind.  And whenever such chats are over I always imagine these perfect strangers, saying as they re-connect with whomever, “See that guy over there, Martha,” as they point at me, “well I’ve just had a chat with him.  He looks good; he speaks well; he seems bright. I just wonder what the hell his story his.  I wonder how he has been reduced to this.”  

Though I fancy myself as being that stranger-comes-to-town planetary-busker, certainly there are those, who see me as a guttersnipe rather than as a globe trotter.

These are just my imaginings; I am sure as my coping rationalization to reinforce my notion of being the main character in the continuing road theme romantic saga.

To close, a dram of delight can be wrought from a stage, whereas a magnum of mirth can be got from the street.  

A STAGE IS A GEMSTONE; THE STREET IS THE LODESTONE!

However, if I’ve ever the urge to perform on stage, THE BUSHWAKKER BREW PUB is certainly the place to be!