BUSKERS, PETE AND NEIL (ANOTHER NEIL, NOT ME) |
Music is
the shorthand of emotion. –Leo Tolstoy
Busking
is the shorthand of elation. –Neil Child
- IS IT THE MONEY?
Am I a beggar with a guitar? or a thrumming troubadour inspired by adventure? Factoid: People think that anybody can be a
busker. Factoid: Anybody who has the
gumption to be a busker can be a busker.
Factoid: A guitar-slinging
busker is not a guttersnipe.
Moneywise, my usual take is usual 25 to 50 bucks an
hour, as long as that hour is at noontime or suppertime. Busking during other hours means the take is
thinner. Factoid: I am a faux busker. I already have a good paying job and don’t
really need the busking bucks. And so
I’m a bit of a hypocrite. I don’t need
the money and I don’t play for the money.
There is within me, though, a certain philosophical capital bent, and
insisting that you get what you pay
for. I won’t stand on the sidewalk
and thrum for nothing because of this work ethic philosophy.
Is it the money?
Nope. Money. means.
nothing.
- IS IT THE NOTORIETY?
Some buskers are hitting the streets to be
discovered, seeking a certain recognition to move upward in the music
industry. Such buskers sell their CD’s
out of their guitar case, and also in their guitar case display signs that they
are open to taking gigs. For these
buskers, their sidewalk strumming is just another piece added to their cumulate
musical emprise.
In my city, Regina, there resides the famous guitar-slinger,
Jack Semple. Googling Jack will show
that he has been nominated for Gemini awards, won a national guitar wars
contest, and had even played the lead in the television movie, Guitar Man
(1994).
In my city, Regina,
Saskatchewan, Canada, Jack is a big fish.
He plays high-end gigs, writes musical scores for radio and television, and
is known throughout our small pond.
Rumor has it that Jack also renovates houses. If Jack can’t make it solely as a musician on
the Canadian Prairies, nobody can.
Is it the notoriety?
Nope. Jack has the notoriety. Jack is a guitar genius. I’m a tyro.
It ain’t the notoriety.
- IS IT THE PERSONAL GROWTH?
Wherever I busk is where I practice. I practice only when I busk. I never practice at home. At every buskspot I’m paid to practice. (I’ve long since realized that strumming while sitting on my keister on my comfy couch at home does not pay the bills.)
Where I busk is where I burgeon. I play only original songs and my buskspot is
the absolute best place to thrum chords and think lyrics. I strum and harp and sing only MY original
songs when I busk, and when I gig I play those same songs. So goes the saying, practice makes perfect.
Is it the personal growth? Yes!
- IS IT THE ADVENTURE?
Busking is just an autonomous therapeutic escape
from my oftentimes mundane day-to-day regimen.
Strumming on the street I have the mettle to project my inner Bobby
Dylan to the world. Whenever I busk I
imagine that I represent that stranger who comes to town, the guy who symbolizes
the life everyone wants but lacks the moxie to live. As a busker I fancy myself as that intrinsically
and extrinsically motivated traveler who has the pluck to pluck.
Is it the adventure? Yes!
Is it the adventure? Yes!
For the most part, I busk in my home city and my
province. But I also busk in other
Canadian cities and provinces, as well as other countries. My dream is to become a planetary busker. So far I’ve hit the street with my guitar or
my pencil or both in Holland, Ireland, and Morocco. Next adventure ... China!